Monographs

	The Monument's End: Public Art and the Modern Republic (Princeton University Press, 2024)
	Insect Artifice: Nature and Art in the Dutch Revolt (Princeton University Press, 2019) *winner of the 2020 Bainton Prize for Art & Music History, from the Sixteenth Century Society*
	Jan Gossart and the Invention of Netherlandish Antiquity (Princeton University Press, 2016)

Co-authored Books

	Conchophilia: Shells, Art, and Curiosity in Early Modern Europe (Princeton University Press, 2021), with Anne Goldgar, Hanneke Grootenboer, and Claudia Swan, and contributions by Stephanie S. Dickey, Anna Grasskamp, and Roísín Watson

Exhibition Catalogues

	Beyond Bosch: The Afterlife of a Renaissance Master in Print (St. Louis Art Museum, 2015), with Elizabeth Wyckoff, and contributions by Peter Fuhring and Matthijs Ilsink

Articles & Essays

“Shell Life, or the Unstill Life of Shells,” in Conchophilia: Shells, Art, and Curiosity in Early Modern Europe, eds. Marisa Anne Bass, Anne Goldgar, Hanneke Grootenboer, and Claudia Swan (Princeton: Princeton University Press, 2021), 75–101. [PDF]
“Arnolfini’s Best Friend: Fellowship and Familiarity in Jan van Eyck’s Arnolfini Portrait,” 70 Nederlands Kunsthistorisch Jaarboek (2020): 42–69. [PDF]
“Florilegium: The Origins of the Flower Still Life in the Early Modern Netherlands,” in Festschrift for David Freedberg, ed. Claudia Swan (Turnhout: Brepols, 2019), 11–25. [PDF]
“Batavia, the New World, and the Origins of Man in Jan Mostaert’s Eve and Four Children,” in Netherlandish Culture of the Sixteenth Century, eds. Ethan Matt Kavaler and Anne-Laure van Bruaene (Turnhout: Brepols, 2017), 209–28. [PDF]
“The Transi Tomb and the Genius of Sixteenth-Century Netherlandish Funerary Sculpture,” Nederlands Kunsthistorisch Jaarboek 67 (2017): 159–83. [PDF]
“Hieronymus Bosch and his Legacy as ‘Inventor’,” in Beyond Bosch: The Afterlife of a Renaissance Master in Print, Marisa Anne Bass and Elizabeth Wyckoff (St. Louis: St. Louis Art Museum, 2015), 11–33. [PDF]
“Patience Grows: The First Roots of Joris Hoefnagel’s Emblematic Art,” in The Anthropomorphic Lens: Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts, eds. Walter S. Melion, Bret Rothstein, and Michel Weemans (Leiden: Brill, 2014), 145–78. [PDF]
“Jan Gossaert’s ‘Neptune and Amphitrite’ Reconsidered,” Simiolus 35.1 (2011): 61–83. [PDF]
“The Hydraulics of Imagination: Fantastical Fountains in the Drawing Books of Jacopo Bellini,” in: Imagination und Repräsentation. Zwei Bildsphären der Frühen Neuzeit, eds. Horst Bredekamp, Christiane Kruse, and Pablo Schneider (Munich: Wilhelm Fink Verlag, 2010), 149–60. [PDF]
“Justus Lipsius and his Silver Pen,” Journal of the Warburg and Courtauld Institutes 70 (2007): 157–94. [PDF]